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So you think you can date me?
BIO
Marianna Angel is a hybrid artist working across image, sound, text, and performance. Her practice operates as a voyeuristic archive — glimpses into memory, intimacy, and fragmented identity suspended in time. Drawing from self-portraiture and material experimentation, Angel positions herself as both artist and subject, re-articulating what it means to be seen. Her output reads as diaristic traces quietly cataloging the emotional residue of personal timelines.
STATEMENT
My work begins with identity in flux — how it shifts, dissolves, and reconstitutes under the pressure of intimate relationships, memory, and circumstance. What starts as nostalgia unravels into layered, intersecting timelines where I appear in multiple, sometimes contradictory forms. Performance becomes ego death — a trance state of separation from the body, from the flesh prison. But the work has moved beyond the self. It is becoming a hollow space, ominous and open, inviting new inhabitants and new interpretations. Through photography, performance, material experimentation, and now language, I explore the blurred edges of personal narrative — using the self as a vessel for shared human experience.
Marianna Angel is a hybrid artist working across image, sound, text, and performance. Her practice operates as a voyeuristic archive — glimpses into memory, intimacy, and fragmented identity suspended in time. Drawing from self-portraiture and material experimentation, Angel positions herself as both artist and subject, re-articulating what it means to be seen. Her output reads as diaristic traces quietly cataloging the emotional residue of personal timelines.
STATEMENT
My work begins with identity in flux — how it shifts, dissolves, and reconstitutes under the pressure of intimate relationships, memory, and circumstance. What starts as nostalgia unravels into layered, intersecting timelines where I appear in multiple, sometimes contradictory forms. Performance becomes ego death — a trance state of separation from the body, from the flesh prison. But the work has moved beyond the self. It is becoming a hollow space, ominous and open, inviting new inhabitants and new interpretations. Through photography, performance, material experimentation, and now language, I explore the blurred edges of personal narrative — using the self as a vessel for shared human experience.